Contemporary voice and the sounds of 1920s radio take flight along a London street, in this new piece exploring resonances between early wireless and telepathy. For Nick Ryan’s VoiceLine, a 39-speaker array which stretched 170m along the The Strand, outside the old BBC Marconi building.
A tourable, large-scale video triptych of The Machinery, a piece exploring women and mechanised labour, created by Sarah Angliss, Caroline Radcliffe – filmed by video artist John Harrison in 2018. Supported by ACE.
Combining the robotic carillon with a machine learning algorithm from Dan Stowell to hear automatic transcriptions of the dawn chorus played by polyphonic bells. For International Dawn Chorus Day.
A 28 note robotic, polyphonic carillon built by Sarah Angliss to play riffs beyond the envelope of human performance. The machine enables tangible performances of algorithmic music controlled by a laptop.
A polyphonic 64-pipe self-playing table-top pipe organ, built by Sarah Angliss and Colin Uttley from salvaged Welsh chapel organ parts. Exhibited at Supersonic’s All Ears Festival, 2015.
Recreating a 1970s algorthmic dance piece by pen and paper-based systems artist Channa Horwitz
Researching and creating a generative 50-channel soundscape to reanimate the submarine HMS Alliance. Informed by detailed research with veteran submariners.
One of my earliest automata, Ventricle is an oxblood red vintage handbag about the same age as my own heart. It opens and closes continually, in the rhythm of a human heartbeat. Exhibited at Kinetica 2011 then selected for temporary display in Gavin Turk and Deborah Curtis’ House of Fairytales.